Warner Chappell Music / BMG Ricordi Music Publishing SPA / BMG Music Publishing Ltd.
Track 6 "The Boogie Monster", incorporates elements of "Ku Klux Klan Sequence", written by Armando Trovaioli/Angelo Francesco Lavagnino. Track 5 "Smiley Faces" published by Chrysalis Music Ltd. Track 4 "Gone Daddy Gone" published by Gorno Music (ASCAP) / Hoochie Coochie Music (BMI). Warner Chappell Music / Trees Music Ltd. Elsewhere", incorporates elements of "Geordie", arranged by Barry Clarke/David Costa/Celia Humphris/Stephen Brown. Warner Chappell Music / BMG Ricordi Music Publishing SPA / Atmosphere Music Ltd. Track 2 "Crazy", incorporates elements of "Last Men Standing", written by Gianfranco Reverberi/Gianpiero Reverberi. It’s hard to come by live performances and find yourself enjoying it over the studio version (unless you’re listening to The Allman Brothers or The White Stripes), especially when the performance is a complete makeover, and that’s why you just have to sit back and marvel.Track 1 "Go-Go Gadget Gospel", contains samples from "Goin Down To Freedom's Land", written by Nicholas Flagello. What’s more, all of the genius is still in the song, that being Cee-los drop dead gorgeous voice and Danger Mouses fine tuning. Although I wanted to see Cee-lo as Optimus Prime and Danger Mouse as Bumble Bee, there’s so much more here.ĭon’t get me wrong, the fast pace Transformer holds on record is fantastic, but this version simply holds more emotion and compassion, making the song feel real and almost tangible. This turned me on to say the least and it honestly should to most individuals due to the fact that this was where all the greatest songs in music history were recorded and played, some even for the first time (e.g. Finally, this is the song that sums up the album in full: It’s pure, unadulterated fun.Īs oblivious as I was, I didnt even come to realize that the video itself was recorded in Abbey Road.
This is also that song where you focus so much on the dimension of the material within that you get into your first car accident (again, something I connect with). This is a track you attempt to recite but meet with disaster when you realize you cannot breathe a quarter of the way through. Gnarls Barkley gave me such a song with Transformer. Some may take ownership in the Chinese resonance of ∿eng Shui, with its lounge-y, atmospheric tone and floating rhymes (Tailored and tapered couture to to the curb/Demanding the attention that it does deserve/Fabrics for the forecast of the day/I admit it, everything is fitted to fall in Feng Shui), while others may fall victim to the story of sexual gratification in cold vulnerability, that being Necrophilia– oh wait, I mean Necromancing.Īs for me, I’m one for old school thunder bass, the type that makes your rear-view mirror shake and your ears bleed, all equipped with fast, plastic beats - only on cocaine. However, as incomparable the tracks may perceive themselves to be, each listener can listen to one of the singles (∼razy, Gone Daddy Gone, and Smiley Faces) and call it their own. Some can argue the duo created its own genre, really. From closing to end, this album transforms musical landscapes, whether its the fact that each and every track is more incomparable than the prior or succeeding, or that its nearly impossible to place a label on this album. Elsewhere, debut album conjured up by musical geniuses Cee-lo Green and Brian Joseph Burton, otherwise known as Gnarls Barkley. Not too long ago, I found myself on the closing end of St.
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